On Moonlight

I have not yet seen “Moonlight,” but will now; not for the Oscar, but because I used to swap between Fuji and Kodak for artistic effect:

…the three chapters of the film were designed to imitate different film stocks. The first chapter emulated the Fuji film stock to intensify the cast’s skin tones. The second chapter imitated the Agfa film stock, which added cyan to the images, while the third chapter used a modified Kodak film stock.

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